Note: DJ Quik has just been added to the Dam-Funk show Nov. 3rd in Los Angeles at the El Rey Theater. Dam-Funk wraps up his US tour Nov 4 in San Diego, and Nov 5 in San Francisco.
Excerpt from “No Lames Up in Here: Dam-Funk/Master Blazter at Highline Ballroom” written by Isabelle Davis, published at Huffington Post, Oct. 31, 2011.
I had been looking forward to his New York show since the tickets first went on sale months ago, and I spent the days leading up to Tuesday night's set at Highline Ballroom by immersing myself in a healthy dose of Slave, Kleeer, Zapp and One Way (standard procedure for me, actually).
I went with the only other two people who worship the Funk as much as I do, my best friend and my brother, and once we arrived, it was clear that the audience was strictly made up of people in the know: I'd be willing to bet that the venue wasn't even filled to half capacity that night. Which meant that we got to be front row for the majority of the show, I got to catch one of the giveaway copies of his new (free!) EP, InnaFocusedDaze, AND we got to hold his hand. He even let some randoms jam on his keytar.
For this tour, Dam is forgoing his usual live setup and instead is joined by Master Blazter, creating a funk trifecta: Computer Jay on keys and synthesizers (with triggers), J-1 on drums (and triggers) and Dam supplying keys, (candy red) keytar, vocals and the overall funk. Do. Not. Miss. This.
Apart from every single second of the show, I would have to say my favorite parts can be easily put into a top 5 list. In no particular order of G level, they are as follows:
5. After the encore of "Hood Pass Intact," Dam wrapped the show up by saying "you are now free to go, goodnight." (And I'm glad he said something. Because I would've stayed. Seriously.)
4. His 10 minute synth fueled diatribe where he yelled "Fuck Dave Chappelle, Rick James was a real 'G.'"
3. The beautifully stripped down (it was almost acappella, save for him on keys) and smoothed out version of "I Wanna Thank You for (Steppin Into My Life)," complete with glowing blue spot light beams (one of the most romantic and sincere songs of all time in my humble opinion, and I may or may not have teared up.)
2. The Vocoder/keytar Gap Band cover of "Burn Rubber (Why You Wanna Hurt Me)."
1. THE INSANE KEYTAR SOLO THAT HE PERFORMED WHILE LAYING DOWN, A MERE 6 INCHES FROM MY MELTED FACE
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No Lames Up in Here: Dam-Funk/Master Blazter at Highline Ballroom