“Best Record Label: Stones Throw” – LA Weekly

• LA Weekly
• October 01, 2008

BEST L.A. RECORD LABEL: STONES THROW RECORDS
By Randall Roberts
www.laweekly.com Oct. 2, 2008

It buggers the imagination that any sane person would consider running a record label in this chaotic environment. Why not play it safe and open a sub-prime brokerage, instead? In this landscape, a hearty huzzah to those who channel their musical passion into pumping the sounds of others. Labelwise, Los Angeles 2008 is a hearty place: Everloving Records outta Los Feliz has been globetrotting this year, putting out thrilling music by Germans, French, Japanese and Angelenos (the labyrinthine An Invitation collaboration between Inara George and Van Dyke Parks); PPF has tossed out sloppy dirgy smellpunk; Vanguard set the standard for songcraft (the Watson Twins, Greg Laswell); Plug Research, Dangerbird, Hellicopter, Ipecac, Aquarium Drunkard, anticon, Dim Mak and IHEARTCOMIX — all release music that’s consistently inspiring.

But for sheer good taste and hometown pride, the best L.A. label these days is Stones Throw Records, founded by L.A.’s best DJ, Peanut Butter Wolf. The label has fueled our stereos with smart, deep, rich beat-based music from a variety of artists this year. They dug into the crates to celebrate the 1980s sounds of electro-rap pioneer (and former N.W.A DJ) Arabian Prince; threw us a curveball with the odd, ethereal Koushik record — which created a new subgenre: nitrous rap. And where the hell did that James Pants record come from? Who knew Stones Throw dug fucked-up postdisco? Need more proof? The Madvillain Box, which came out a few weeks ago, is a beautiful limited-edition set from L.A. beat genius Madlib (a.k.a. Beat Konducta, a.k.a. Madvillain, a.k.a. Quasitmoto). The label’s propping legendary filmmaker and badass Melvin van Peebles by hooking him up with Heliocentrics, and has been instrumental in sealing the late hip-hop producer J Dilla’s legacy. To say nothing about Stones Throw’s regular podcasts, which could probably be sold as mixtapes; or PBW’s eight-night VJing spin in August. Combined, a record label of the perfect sort: one that follows its heart and gut, trusting that good taste and bottom line aren’t mutually exclusive ideals.

BEST BOOGIE FUNK: DAM-FUNK AT FUNKMOSPHERE
By Molly Lambert
www.laweekly.com Oct. 2, 2008

Stones Throw’s master teacher of heavy grooves, Dam-Funk, spins nothing but deep cuts of boogie funk during Funkmosphere, vinyl Monday nights at Carbon, near Culver City. Dam-Funk takes you beyond the jump-off from disco, funk and roller-skating jams into an outer zone known only as Space Funk. Don’t be embarrassed if you don’t recognize any songs, Dam-Funk’s mission is to expand your horizons, twist your latitudes, and sound-bomb you with love. Spinning in a space about the size of your living room, he might make you forget you’re not on a multicultural spaceship headed directly to the Boogie Funk planet.

www.stonesthrow.com/damfunk
www.myspace.com/funkmosphere